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Razzmatazz

by Kaz Garaz

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  • Record/Vinyl + Digital Album

    A beautiful LP with Cover Art by Maxine Gigliotti.
    Pullout Art and Design by Patrick Lovelady

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  • Compact Disc (CD) + Digital Album

    Comes in Jewel Case, with Lyric book.
    Cover Art by Maxine Gigliotti
    Booklet Art and Design by Patrick Lovelady

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    100% Cotton Tee
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    edition of 46 
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1.
Thicket 03:39
I can’t see my vehicle for the screen of sharp bramble I want it so bad The only way’s an ice-bound course My feet in bard-ridden clad And if I peer through the thicket Will I see the pride of the automotive sphere? Or the rusted remains of a Reliant? It’s interior and ill gumbo of fear And if I push too hard it may be for nothing Not enough and I may expire here So with left foot forward I glance ‘round the corner And with right foot I retreat out of fear I can see a stretch to repose But it’s closing in as I sit and watch And then there’s padding here On which to rest my head So why challenge Achilles? Why risk this crutch? And if I push too hard it may be for nothing Not enough and I may expire here So with left foot forward I glance ‘round the corner And with right foot I retreat out of fear I resent you for soaring For being hoisted by certainty And never sitting perfectly still I pray for the collapse of your dreams I hope your lift’s done more miles than it seems And halts a million miles from the green And if I push too hard it may be for nothing Not enough and I may expire here So with left foot forward I glance ‘round the corner And with right foot I retreat out of fear
2.
For Neil 03:53
Well, farewell to begin with I’m choked further more In your path stands a tower Of facetious, loud uproar Like that piercing harp you blew in After all of us did learn That you suffered for your music And now it is our turn So goodbye to the sweetest The sweetest fool of all For you gave us the music Where jesters feel in place Where high school hermits sit and dream Of your sweet waggish face In your right hand sat the knack For dulcet, aural feel In your left a playful salver Which fed your killing spiel So goodbye to the sweetest The sweetest fool of all The one who’d see us lie down So no one had to fall In quiet talks I mourn you On summer walks I weep For your ouvre which doth shadow For that tower sitting steep And you left without a hallo For we never got to speak So I dream you in a Danbury winter Skidding on the sleet So goodbye to the sweetest The sweetest fool of all
3.
First Uncle 05:18
Dear Uncle here’s a sorry spiel too thin for Ma and Pa You see I jitter on the tube ashamed at how much I perspire And the thought of acting chummy makes my mouth become all dry So I call on your instruction You know you’ve always been such a shrewd guide Thirsty eyes open wide That was the approach and how you did so disappoint With a tower of Hallmark sick Some sentimental bile, you said You can smile when you don’t want to smile Or you can drink your life watch the time go by Or you can grin when there ain’t nothing to be grinning about Don’t cry out loud ‘cause no one loves you when you’re down and out Keep on smiling Keep on smiling Oh, the prudent rock of our folk your brain has sprung a leak and if you open your mouth, out it would seep In a rank, soppy stream It’s a sting being let down To be made a fool to feel a clown To be slapped about by life or disappointed by an ass I’ve earned an untamed disposition And an ever tightening grasp Now I’m riling Now I’m riling Care to chime in? So it goes and so it should And so you think of what could Have been if circumstance were different Or if life had been more kind Or how you would have done things different if you’d only had the time Now I’m riling Keep on smiling
4.
The sea breeze soothes while the sun makes crackling of our skin In line for the bar, there’s still ice cream on your chin The sky is the same colour blue as your dress I never liked it, ya know. We met at a party, both already hard at work some 40 years ago. Work got in the way of us carousing all the day But we were grateful for our time together. Now time is all we have and our savings we did splash For 6 months on this exalted icebreaker. It never dawned on me before that your stories are all bores And your observations, they’re not clever You recite them anyway like Eric Olthwaite in his day As if I had never heard them ever. And your manner’s second slug only to that dejected tug that is your stale dress sense. Your manner’s second slug only to that dejected tug that is your unflattering dress How is it I’m seeing you for what you are? 43 years too late If I could I’d disembark this tiresome barge Risk life in some isolated ait Just cause you’ve stopped at three morning mimosa’s Does not mean that I have to do the same. I find you hard to bear without a spiked and woozy air When dizzied I’m less fazed when you take aim. So as you walk off to the buffet I’ll have another four When we’re back in Whittlesea, will I even try and flee Or will I stay for I’m a tired, old beast of pattern I could take up exercise or even fake my own demise Just to break away before you see me flattened. And your manner’s second slug only to that dejected tug that is your stale dress sense. Your manner’s second slug only to that dejected tug that is your unflattering dress. How is it I’m seeing you for what you are? 43 years too late If I could I’d disembark this tiresome barge Risk life in some isolated ait. Good evening everybody This is your Cruise Manager, Cecil B. DeLargeboat Welcome aboard the Kaz-Caribbean Cruise The weather’s looking great today You lucky dogs Before we depart We have morning mimosas with Effy Lunch is at 2 on deck 2 Right now, I’ll see you on deck 10 For Kaz’s big, big party A reminder, there is no fishing in the pond Enjoy your stay on the Kaz-Caribbean Cruise My anecdotes, my anecdotes, you should here the things you speak The same story about sitting behind Eric Morcombe on a train You didn’t even talk to him talk to him Here’s to falling apart
5.
45 Degrees 04:00
We can all make better decisions on occasion But this has been running on for a while now And it still has time to run on yet. In short we will continue to act responsibly. It wasn’t hot enough for you here So sorry if we interrupt but our weather is more temperate. Liar, liar country’s on fire But deal with it when you get back 180 million years reduced to ash. Doing something more or less wouldn’t change the outcome But that doesn’t stand up to the evidence. As you go through this tough time I regret any offence caused but I already said that. In short we will continue to act responsibly. It wasn’t hot enough for you here So sorry if we interrupt but our weather is more temperate. Liar, liar country’s on fire But deal with it when you get back 180 million years reduced to ash.
6.
Now I know the going rate of your credence You sold your beliefs for a screen That blocks out your despondence Though our censure must sift it back in Your zest, your conviction deceived us That your fine china never would crack I thought that you were sincere but You’re just a Wearside Jack You once talked of melioration And mocked how the lucky ones turned But you’d join then if you were offered And leave post without Field Marshall’s word To put worth in a boy of obsessions As tattered as a pavement bound bed Is a leap despite high grading features Their failures are too fiercely red Your zest, your conviction deceived us That your fine china never would crack I thought you were sincere but You’re just a Wearside Jack And with that went the promise of a shepherd When you sold the very ground that held your stance And the way back is closing behind you It’s a fleeting recess in our glance So I’ll smile and break bread with you Jack Though inside I’ll protest your every move I’d be outspoken if I weren’t so pathetic But I am not too dissimilar from you Your zest, your conviction deceived us That your fine china never would crack I thought you were sincere but You’re just a Wearside Jack I thought you were sincere but There’s something that you clearly lack I thought our agents each shared a track You’re just a Wearside Jack.
7.
It’s like flies in winter The way this vacant chord rings out Resonating oh so slow This stroke was long ago Like a loved ones grasp in a deathly bout Still caught up in a squeeze I thought by now I’d breathe From Tír na nÓg’s cleansing breeze Not short of breath and far from ease I sit so tight I sit so tight I sit so tight It’s like flies in winter The way this growing want remains Despite this trusted friend Keeper of bedroom trends I think of nothing else all day It’s safe where I’m now placed And I can’t bargain with this face And no one’s intent on real estate With bones under Rillington Place And so sit tight And so sit tight I sit so tight The swelter oozing into winter The vexing itch of a month old splinter It’s like flies in winter The way this growing want remains It’s like flies in winter
8.
Apollo 06:15
Their ears are open But their eyes are closed Fingers stretched out In search of prose Beyond the world Their amps reveal Interpretations of Buzzing steel Still I wonder if old Apollo Receives these sounds as crass and callow Still I wonder if old Apollo Receives these sounds as crass and callow Each day is crowded With time spent alone Acting as a graceful Chaperone For fleeting compressions Within the air Each day is sent With a touch more flair Still I wonder if old Apollo Receives these sounds as crass and callow Still I wonder if old Apollo Receives these sounds as crass and callow
9.
An old roadsign I’ve passed 100 times or more When journeying to far out lands of play Sits as a bold reminder of my disappearing blithe And the death of my unworried ways Sat out by the freeway near a place called Bacchus Marsh Far out from that stretch of stone and steel The one they call the Westgate enormous next to you But to me you are exceedingly more real Perhaps it’s time to leave the party No longer glow like Errol Flynn But when I pass you I still grin Remember all the fun that’s been Oh, that’s been but will not be again Like honeycomb you stand a perforated heap Of bullet holes and clefts and dried up clay But proudly without falter Rejecting plain defeat Like Lamotta in the ring with Sugar Ray I’ve grown so much since I first saw you Submitted, bargained, compromised and changed Not you, no, you’re still firmly placed and golden Few more bullet holes but your message still remains Perhaps it’s time to leave the party No longer glow like Errol Flynn But when I pass you I still grin Remember all the fun that’s been Oh, that’s been but will not be again And old road sign I’ve passed 100 times or more When journeying to far out lands of play Sparks such a wistful smile for the party’s all now through ‘Cause I just can’t put it on like I used to. Ain’t go no vigour, no bullish attitude Resilient is a word for yesterday But always in attendance, attempting to push through I endeavor just don’t bounce back the next day Perhaps it’s time to leave the party No longer glow like Errol Flynn But when I pass you I still grin Remember all the fun that’s been Oh, that’s been but will not be again
10.
Don’t wanna leave here too late Don’t wanna leave here at all Don’t wanna leave here too late Oh, now I must be on my way Oh, now I must be gone Don’t wanna leave here too late Don’t wanna leave here at all Don’t wanna leave here too late Oh, now I must be on my way Oh, now I must be gone Don’t wanna leave here too late Don’t wanna leave I’ll rest my head and cry Don’t wanna leave here too late Oh, now I must be on my way Oh, now I must be gone Don’t wanna leave here too late Don’t wanna leave here at all Don’t wanna leave here too late Oh, now I must be on my way Oh, now I must be gone Don’t wanna leave here too late Don’t wanna leave here at all Don’t wanna leave here too late Oh, now I must be on my way Oh, now I must be gone Don’t wanna leave here too late Don’t wanna leave I’ll rest my head and cry Don’t wanna leave here too late Oh, now I must be on my way Oh, now I must be gone

credits

released June 30, 2022

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Kaz Garaz Melbourne, Australia

With 2 Albums and 2 EP's to their name, Kaz have been plugging their wares longer than the average ring-tailed possums lifespan. The process has aged them horribly, but remarkably they remain friends and continue to write and perform in and around Naarm.

Patrick Lovelady (bass, vox)
Callum Lee Gow (drums vox)
Jack McKenzie (keys)
William Soulsby (guitar)
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